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A Struggle between Darkness and Light
Somehow, every painting is a trade-off between darkness and light, and this is especially true for Chinese painting, where the ink and the paper seem to be always in the process of negotiating the proportion of space that black and white will finally occupy, water mediating between the two protagonists¡¡
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¡°On the ¡®Brick Series¡¯(2002-2007)¡±
I entered into my ¡°Brick Series¡± by way of my ¡°Window Series.¡± Having painted my recollections of window scenes in the 70s and 80s, the natural extension of this was to paint the bricks of China¡¯s current era of feverish construction. Based on the setting of my life in ¡¡
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From Stones to Bricks¡ªAn Answer to Lo Ch¡¯ing
From stones to bricks, human beings have been on the road
For many, many years¡ªand it was rocky
After trying this technique and that
Of hauling and piling things together, at last
They globalized a method to incorporate¡¡
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When a Stone Collides with a Brick----To Yan Li by Lo Ching
A large stone flying leftward
Smashes into
A red brick flying toward the rightOut of the impact is released
A huge and explosive ¡¡
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LONG LIVE SQUARE FOOTAGE
Square meters are best for measuring human dwellings
Square kilometers are best for territory
Milligrams and microns are best for other things
Now in our metropolis
People settle accounts in square meter¡¡
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I travel , I sing¡¡¡¡¡¡¡¡¡¡¡¡¡¡Yu Ge
Art, my spirit.
I like drawing, it comes from the nature. I ardently love the art. It gives indefinite happiness to my existence. Therefore, I consider devoting to create art as the most important way of my life which is indispensable. Use this attitude to life, to regard myself, to regard the world¡¡ |
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